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- (A) CINEMATIC...: What in the
world does that mean?
- BIOGRAPHY and
Biolographies: Scars and personal history.
- SOURCING: action vs. contemplation,
memory storage in the open.
- CHOICE: Binary gates, finding
process in conflict. Arbitrary and Organic.
- DISTORTION in film. Beauty,
the self and truth that always hurts.
- EXAGGERATION to be in control.
The wide field vs. the tight rope.
- FORGOTTEN and multiple identities.
Memory as Film. Film as memory.
- GOALS: Short vs. Long Term
Objectives, The possibility of Happiness.
- HOLLYOOD HEROES: Beyond Ulysses.
The Good-Bad Guy Archetype, Loss, Re-direction.
- ISOLATION vs love. Fear as
motor.
KILLING FAULTS: Finding Process in YES vs.
NO
- LET's MAKE A SCENE: What is
a scene? Scene beginnings or ends. The Glass Box.
- MOVIES WITHOUT CAMERAS: From
cameramen to Eyes at 24 fps. Layers. Vertov.
- OPPOSITES: Polarities, Magnets
and Attraction. Electricity and cycles of conflict.
PITCHING: Taking your films out for air.
- Q & A: curiosity, right
and wrong. Logic vs Wonder. Mystery vs. Symbolism.
- RHYTHM and STORY: Movie-Time.
Structures. "Is a circle linear?"
- STORY: What is a story about?
Premises, river beds and wavelengths.
- TIMING: The Past, the NOW
and when the Movie's over.
- USING VOICE
: from self-censorship to stream of consciousness, dialogue.
Monologue. The art of listening.
- VIRTUAL FILM BRAND: Cinemahead
- WORLD as inner space, action
vs. contemplation.
X. C.Y. IRKLE: an expert in the field of door
to door sales. What you know.
- ZONE: flow, organic, sync.
Tarkovsky. Languages of cinema.
- Every participant will receive a free copy
of Daniel's book "A Cinemahead
in Värmland"
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| No prerequisites. |
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